Crossing Over To The Dark Side

Chicago Fashion Foundation benefit show producer Milan in the...

Thu, 04 Mar 2010 19:13:39 -0600

Chicago Fashion Foundation benefit show producer Milan in the most devastating Gucci belt.

nikayla: Debbie Harry. Sexy as hell. Occasionally I get this...

Sat, 27 Feb 2010 19:23:46 -0600

Debbie Harry. Sexy as hell.

Occasionally I get this burning desire to be fair and post pics of people other than Nancy and Stevie. I know right? Craziness. ;D

thelastbone: picapixels: Tokyo 1840 (via tokyoform)

Sat, 27 Feb 2010 19:17:23 -0600

thelastbone:

picapixels:

Tokyo 1840 (via tokyoform)

(via brouillon)

Sat, 27 Feb 2010 19:04:47 -0600

(via brouillon)

alfredolietor: andreiradu: kitchen theory

Sat, 27 Feb 2010 18:57:54 -0600

alfredolietor:

andreiradu:

kitchen theory

(via brouillon)

Sat, 27 Feb 2010 18:57:33 -0600

(via brouillon)

thelastbone: suicideblonde: Kindskopf (Head of a child) by...

Mon, 22 Feb 2010 23:01:54 -0600

thelastbone:

suicideblonde:

Kindskopf (Head of a child) by Gottfried Helnwein

can I tell you the one thing that gets me about Lady Gaga?

Fri, 19 Feb 2010 21:12:15 -0600

agrammar:

Image and style have pretty much always been essential to pop stardom, but I think most people could agree on 1980s MTV as some sort of turning point, the moment where pop stars became creatures of image — where you could no longer really plan to be a star without taking some kind of care over your visual persona. And for a while there, you could connect image with music in a lot of different ways. Most acts just tried to live out their own aesthetic on film — like, say, Duran Duran. Others made relatively strange music and used the images to ground it in something concrete, to say this is the kind of world this music might come from. (I think this was essential for Prince.) Some had to use image to live up to the scale and sense of event of being a pop star — hence Michael Jackson making videos that were twice as long as the songs they contained. There were a lot of possible relationships between the singles and the visual package.

But it was Madonna, I think, who figured out one of the savviest pop tricks: that you could make singles that were inviting, comfortable, fun, and open to a lot of different uses and interpretations — but use visual packaging to make those songs more challenging, controversial, or even torrid.

Read More

(via brouillon)

Sun, 14 Feb 2010 14:54:02 -0600

(via brouillon)

February sunshine in Chicago. My 17th century Chinese statue...

Sun, 14 Feb 2010 13:08:46 -0600

February sunshine in Chicago. My 17th century Chinese statue feels the unaccustomed warmth and looks almost happy.

iamsamantha: fuckyeahdogs: tommasoromani: (via uıʇsnƃɐ)

Fri, 12 Feb 2010 12:16:58 -0600

iamsamantha:

fuckyeahdogs:

tommasoromani:

(via uıʇsnƃɐ)

angelisajosalisa: ghostpunch: my-ear-trumpet: parachuteshark: ...

Fri, 12 Feb 2010 12:15:29 -0600

angelisajosalisa:

ghostpunch:

my-ear-trumpet:

parachuteshark:

A milkman delivering milk in a London street devastated during a German bombing raid. Firemen are dampening down the ruins behind him. (ph. Fred Morley)

This is beautiful, like a poem.

brouillon: R.I.P. Alexander McQueen

Fri, 12 Feb 2010 12:13:35 -0600

brouillon:

R.I.P. Alexander McQueen

sarazucker: despite the large percentage of chance that this...

Fri, 12 Feb 2010 12:09:48 -0600

sarazucker:

despite the large percentage of chance that this socks-with-sandals trend will make anyone who isn’t 110-pounds-when-wet look like they have cankles, i will be attempting it come spring. toes can get cold at night, you know.

fuckyeahcrit: We hear the highlight of the Critics’ Choice...

Fri, 29 Jan 2010 15:14:35 -0600

fuckyeahcrit:

We hear the highlight of the Critics’ Choice event was Newton-bred “Office” actor John Krasinski and Burlington-bred Amy Poehler’s tribute to the late John Hughes, which featured the comedy stars dressed as Jon Cryer and Molly Ringwald’s characters from the Hughes classic “Pretty in Pink.’’ Death Cab for Cutie followed their presentation with a live cover of the Simple Minds hit from Hughes’s “The Breakfast Club,’’ “Don’t You (Forget About Me).’’

[via]

"when life is quite through with and leaves say alas, much is to do for the swallow,that closes a..."

Sun, 24 Jan 2010 19:25:35 -0600

“when life is quite through with
and leaves say alas,
much is to do
for the swallow,that closes
a flight in the blue;

when love’s had his tears out,
perhaps shall pass
a million years
(while a bee dozes
on the poppies,the dears;

when all’s done and said,and
under the grass
lies her head
by oaks and roses
deliberated.)”

- (via eecummings)

iamsamantha: cacioppe: via www.hypebeast.com

Sat, 23 Jan 2010 21:15:40 -0600

iamsamantha:

cacioppe:

via www.hypebeast.com

iamsamantha: (via tomorrowsparties)

Sat, 23 Jan 2010 14:16:52 -0600

iamsamantha:

(via tomorrowsparties)

(via iamsamantha)

Sun, 17 Jan 2010 20:40:32 -0600

(via iamsamantha)

angelisajosalisa: nevver: Dmitry Ligay | Escape Into Life

Sun, 17 Jan 2010 20:33:32 -0600

angelisajosalisa:

nevver:

Dmitry Ligay | Escape Into Life